{"id":223,"date":"2024-04-20T13:08:15","date_gmt":"2024-04-20T13:08:15","guid":{"rendered":"https:\/\/autographic.design\/?p=223"},"modified":"2025-01-04T16:59:20","modified_gmt":"2025-01-04T16:59:20","slug":"bibliography","status":"publish","type":"post","link":"https:\/\/autographic.design\/index.php\/2024\/04\/20\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\n
Review of the Book<\/h5>\n\n\n\n

Allen, Tania. 2024. \u201cAutographic Design: The Matter of Data in a Self-Inscribing World.\u201d Design Issues<\/em> 40 (4): 88\u201390. https:\/\/doi.org\/10.1162\/desi_r_00785<\/a>.
<\/p>\n\n\n\n

Selected work by others on Autographic Design<\/h5>\n\n\n\n

Gil-Fournier, Abelardo, and Jussi Parikka. 2024. \u201cEnclosures of Wind: Practice-Led Methods for Visualization of Elemental Media.\u201d Media+ Environment 6 (2)<\/em>. https:\/\/mediaenviron.org\/article\/124525. (open access)<\/p>\n\n\n\n

Heinicker, Paul. 2024. Anderes Visualisieren \u2013 Zur Kritik der Datengestaltung.<\/em> Bielefeld: transcript Verlag. https:\/\/library.oapen.org\/handle\/20.500.12657\/95960. (open access) <\/p>\n\n\n\n

Routledge, Bruce. 2023. \u201cAn Archaeology of Traces.\u201d Cambridge Archaeological Journal<\/em>, September, 1\u201314. https:\/\/doi.org\/10.1017\/S095977432300029X<\/a>.<\/p>\n\n\n\n

Lockton, Dan, Carine Lallemand, Daphne Menheere, Chang Hee Lee, Marion Lean, Dietmar Offenhuber, Holly Robbins, Elisa Giaccardi, and Samuel Huron. 2022. \u201cValuing the Qualitative in Design and Data.\u201d In DRS Conference Proceedings<\/em>.<\/p>\n\n\n\n

Huron, Samuel, Till Nagel, Lora Oehlberg, and Wesley Willett, eds. 2022. Making with Data: Physical Design and Craft in a Data-Driven World<\/em>. 1st edition. Boca Raton: A K Peters\/CRC Press.<\/p>\n\n\n\n

Likav\u010dan, Luk\u00e1\u0161, and Paul Heinicker. 2021. \u201cPlanetary Diagrams: Towards an Autographic Theory of Climate Emergency.\u201d In\u00a0Photography Off the Scale: Technologies and Theories of the Mass Image<\/em>, edited by Tom\u00e1\u0161 Dvo\u0159\u00e1k and Jussi Parikka, 211\u201330. Edinburgh: Edinburgh University Press.<\/p>\n\n\n\n

Lockton, Dan. 2020. \u201cAutographic Visualizations.\u201d Carnegie Mellon School of Design. 2020. https:\/\/www.design.cmu.edu\/content\/autographic-visualizations<\/a>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Selected own work related to Autographic Design<\/h5>\n\n\n\n

Offenhuber, Dietmar. 2024. \u201cShapes and Frictions of Synthetic Data.\u201d Big Data & Society<\/em> 11 (2). https:\/\/doi.org\/10.1177\/20539517241249390<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. forthcoming. \u201cWasting to Slow Time – the Materiality of Informational Waste.\u201d In Waste as a Critique<\/em>, edited by Herv\u00e9 Corvellec. Oxford University Press. Preprint<\/a><\/p>\n\n\n\n

Offenhuber, Dietmar. 2023. Autographic Design: The Matter of Data in a Self-Inscribing World<\/em>. The MIT Press.<\/p>\n\n\n\n

Perovich, Laura J, Bernice Rogowitz, Victoria Crabb, Jack Vogelsang, Sara Hartleben, and Dietmar Offenhuber. 2023. \u201cThe Tactile Dimension: A Method for Physicalizing Touch Behaviors.\u201d In Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems<\/em>, 1\u201315. Hamburg Germany: ACM. https:\/\/doi.org\/10.1145\/3544548.3581137<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar, and Joy Mountford. 2023. \u201cReconsidering Representation in College Design Curricula.\u201d She Ji: The Journal of Design, Economics, and Innovation<\/em>, The Future of Design Education: Rethinking Design Education for the 21st Century, 9 (2): 264\u201382. https:\/\/doi.org\/10.1016\/j.sheji.2023.04.005<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2022. \u201cEnvironment.\u201d In Making with Data: Physical Design and Craft in a Data-Driven World<\/em>, edited by Samuel Huron, Till Nagel, Lora Oehlberg, and Wesley Willett, 1st edition, 312\u201316. Boca Raton: A K Peters\/CRC Press.<\/p>\n\n\n\n

Lockton, Dan, Carine Lallemand, Daphne Menheere, Chang Hee Lee, Marion Lean, Dietmar Offenhuber, Holly Robbins, Elisa Giaccardi, and Samuel Huron. 2022. \u201cValuing the Qualitative in Design and Data.\u201d In DRS Conference Proceedings<\/em>.<\/p>\n\n\n\n

Perovich, Laura, and Dietmar Offenhuber. 2021. \u201cData as Environment: Physicalization Strategies for Communicating Environmental Data.\u201d In Making Data – Materializing Digital Information<\/em>, edited by Ian Gwilt. Bloomsbury Academic.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2021. \u201cThe Planet as a Photographic Plate.\u201d Fotograf Magazine<\/em> 20 (40): 66\u201371.<\/p>\n\n\n\n

Offenhuber, Dietmar, Bruce Campbell, and Francesca Samsel. 2020. \u201cDietmar Offenhuber: Collaboration Via the Many Traces Our Data Sets Leave Behind.\u201d IEEE Computer Graphics and Applications<\/em> 40 (5): 120\u201326. https:\/\/doi.org\/10.1109\/MCG.2020.3007058<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2020. \u201cPublic Evidence \u2014 Autographic Visualizations of Contagion.\u201d Medium. July 21, 2020. https:\/\/blog.offenhuber.net\/public-evidence-autographic-visualizations-of-contagion-378b165267f9<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2020. \u201cMaterial Traces as Autographic Visualizations.\u201d Multiple Views<\/em> (blog). January 2020. https:\/\/medium.com\/multiple-views-visualization-research-explained\/material-traces-as-autographic-visualizations-e814662aa60f<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2020. \u201cData Materiality and Matters of Communication.\u201d In Matters of Communication \u2013 Formen Und Materialit\u00e4ten Gestalteter Kommunikation<\/em>, edited by Sabine Foraita, Bianca Herlo, and Axel Vogelsang, 37\u201346. Bielefeld: Transcript.<\/p>\n\n\n\n

Offenhuber, D. 2020. \u201cWhat We Talk About When We Talk About Data Physicality.\u201d IEEE Computer Graphics and Applications<\/em> 40 (6): 25\u201337. https:\/\/doi.org\/10.1109\/MCG.2020.3024146<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2019. \u201cDustmark and Ozone Tattoos: Autographic Displays of Air Pollution.\u201d In VISAP\u201919<\/em>. Vancouver, Canada.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2019. \u201cData by Proxy \u2014 Material Traces as Autographic Visualizations.\u201d IEEE Transactions on Visualization and Computer Graphics<\/em> 26 (1): 98\u2013108. https:\/\/doi.org\/10\/gf649f<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2019. \u201cAmateur Visual Forensics and the View from Nowhere \/ Dietmar Offenhuber for the Shenzhen Biennale (UABB) 2019.\u201d ArchDaily. October 11, 2019. https:\/\/www.archdaily.com\/926365\/amateur-visual-forensics-and-the-view-from-nowhere-dietmar-offenhuber-for-the-shenzhen-biennale-uabb-2019<\/a>.<\/p>\n\n\n\n

Offenhuber, Dietmar, and Orkan Telhan. 2015. \u201cIndexical Visualization\u2014the Data-Less Information Display.\u201d In Ubiquitous Computing, Complexity and Culture<\/em>, edited by Ulrik Ekman, Jay David Bolter, Lily Diaz, Morten S\u00f8ndergaard, and Maria Engberg, 288\u2013303. New York: Routledge.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2012. \u201cKuleshov\u2019s Display: On Contextual Invisibility.\u201d In Throughout: Art and Culture Emerging with Ubiquitous Computing<\/em>, edited by Ulrik Ekman, 431\u201342. Cambridge, Mass.: MIT Press.<\/p>\n\n\n\n

Offenhuber, Dietmar. 2008. \u201cThe Invisible Display \u2013 Design Strategies for Ambient Media in the Urban Context.\u201d In Proc. of 2nd Workshop on Ambient Information Systems. Colocated with Ubicomp<\/em>. Seoul, Korea.<\/p>\n","protected":false},"excerpt":{"rendered":"

Review of the Book Allen, Tania. 2024. \u201cAutographic Design: The Matter of Data in a Self-Inscribing World.\u201d Design Issues 40 (4): 88\u201390. https:\/\/doi.org\/10.1162\/desi_r_00785. Selected work by others on Autographic Design Gil-Fournier, Abelardo, and Jussi Parikka. 2024. \u201cEnclosures of Wind: Practice-Led Methods for Visualization of Elemental Media.\u201d Media+ Environment 6 (2). https:\/\/mediaenviron.org\/article\/124525. (open access) Heinicker, Paul. […]<\/p>\n","protected":false},"author":1,"featured_media":226,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[20],"class_list":["post-223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-bibliography"],"_links":{"self":[{"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/posts\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/comments?post=223"}],"version-history":[{"count":0,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/posts\/223\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/media\/226"}],"wp:attachment":[{"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/media?parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/categories?post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/autographic.design\/index.php\/wp-json\/wp\/v2\/tags?post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}